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Disc 01 01. "Film Musik/Die Lieder des Prinzen Vogelfrei" 02. "Film Musik/Le medaillon magique" 03. "Film Musik/Schwerm?tiger Fr?hling" 04. "Film Musik/Der Optimismus"
Disc 02 01. "Narren des Schicksals/Erster Satz:Uralte Legenden" 02. "Narren des Schicksals/Zweiter Satz:O unser verlorenes P" 03. "Narren des Schicksals/Dritter Satz:Der sanfte Mantel ei"
Disc 03 01. "Der Sch?nheit Spur/The Treasury Of Thy Lusty Days" 02. "Der Sch?nheit Spur/Im Spiel verliebter Saiten" 03. "Der Sch?nheit Spur/Erinnerung jener Sch?nheit" 04. "Der Sch?nheit Spur/Ein Lockend Aug" 05. "Der Sch?nheit Spur/Beauty's Rose Might Never Die" 06. "Der Sch?nheit Spur/Echt ist mein Lieben, wahr sei auch m" 07. "Der Sch?nheit Spur/Thy Eternal Summer Shall Not Fade" 08. "Ein sch?nes Autodafe/The Colours Of Mind" 09. "Ein sch?nes Autodafe/In der Welt des Wahns" 10. "Ein sch?nes Autodafe/Reise ins Schweigen" 11. "Ein sch?nes Autodafe/Man kann sich nicht von der Erde e" 12. "Ein sch?nes Autodafe/Fools Of Time" 13. "Return In Happy Plight"
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 | | Description: | In 1992-93 Klaus Schulze recorded about ten hours of music, not intended for record release. This music was issued in a box set and quickly sold out, so smaller collections have been reissued. DISC 1: The four parts of "Film Musik" contain the complete music for the soundtrack to the 1993 German tv documentary "Spurensicherung. Baudenkmäler" DISC 2: Klaus called the 71-minute piece "Narren des Schicksals" his first symphony. It was recorded in 1992/'93 for no special purpose. DISC 3: Track 1, "Der Schönheit Spur", is the longer version of the music Klaus recorded 1993 as soundtrack for a film about Berlin's Potsdamer Platz, and the final track ("Return in Happy Plight") is the remixed version which was actually used for the film. "Ein schönes Autodafé" was meant but not used as ballet music for Klaus' opera "Totentag".Released in 8-panel Digipak. Includes a 12-page booklet in German and English.
Notes from the booklet:
Disc 1: The four parts of "Film Musik" contain the complete music for the soundtrack to the 1993 German tv documentary "Spurensicherung. Baudenkmäler", put in proper shape for the [r=701512] release in 1993. In this long deleted ten-CD set these four tracks had a handful of romantic subtitles each, I left them out for this re-release: the music is still the same. One attentive Polish member of "The KS Circle" had noticed that the piano part from "Der Optimismus" is fairly inspired by Frederic Chopin's "Ballade in G minor, Op. 23", and yes, he is right.
Published 1993 by P.O.E.M. Musikverlag. ? 1993 Klaus Schulze & Klaus D. Mueller. © 2012 Klaus Schulze & kdm, under license to MiG music GmbH.
Disc 2: Klaus called the 71-minute piece "Narren des Schicksals" his first symphony and therefore, and for its first release on [r=701512], I gave it the sub-title "Symphonic Poem in 3 Movements, B Flat minor". It was recorded in 1992/'93 for no special purpose.
Published 1993 by P.O.E.M. Musikverlag. ? 1993 Klaus Schulze & Klaus D. Mueller. © 2012 Klaus Schulze & kdm, under license to MiG music GmbH.
Disc 3: Track 1, "Der Schönheit Spur", is the longer version of the music Klaus recorded 1993 as soundtrack for a film about Berlin's Potsdamer Platz, and the final track ("Return in Happy Plight") is the remixed version which was actually used for the film. "Ein schönes Autodafé" was meant but not used as ballet music for Klaus' opera "Totentag". It was recorded during Klaus' intense sampling era in 1993.
Published 1993 by P.O.E.M. Musikverlag. ? 1993 Klaus Schulze & Klaus D. Mueller. © 2012 Klaus Schulze & kdm, under license to MiG music GmbH.
Total playing times:
CD 1: 75:26.
CD 2: 71:13.
CD 3: 78:18.
? &© 2012 MIG-Music GmbH - Made in Germany.La vie electronique 11 on CD presents another fascinating chapter in Klaus Schulze's vast archive of electronic explorations. This volume of the long-running 'La Vie Electronique' series brings together rare and previously hard-to-find recordings from a particularly creative period in Schulze's career, offering deep, extended journeys through analog soundscapes, hypnotic sequencer patterns and slowly evolving textures. The tracks unfold in long-form compositions that reward attentive listening, revealing subtle shifts, delicate atmospheric layers and powerful crescendos typical of Schulze's visionary style. Fans of ambient, Berlin School electronics and experimental sound will find an immersive listening experience that bridges historic analog warmth with timeless futuristic moods. Ideal both for focused listening on headphones and as a cinematic backdrop, this CD underlines Schulze's role as a pioneer whose work continues to influence electronic, ambient and even film music to this day.
Klaus Schulze is one of the most important figures of the German electronic and 'Berlin School' scene, known from his early involvement with Tangerine Dream and Ash Ra Tempel and, above all, for his extensive solo career. Over decades, he has released a large number of studio and live albums, many of which are considered milestones of electronic music and have inspired generations of musicians worldwide. His long, meditative pieces, innovative use of synthesizers and sequencers and his fearless experimentation have earned him a loyal international following and a lasting place in music history. Schulze's work has also found its way into soundtracks and multimedia projects, further underlining his broad cultural impact.
The CD is released by MIG/Indigo, a German independent company respected for its careful catalog curation and high-quality physical releases. MIG (Made in Germany Music) is known for reissuing important archive recordings, live concerts and classic albums with attention to detail, often working closely with artists or estates to present historically significant material in the best possible sound and packaging. Indigo, as an experienced distribution and label partner, helps bring these releases to a wide international audience while maintaining a strong focus on authenticity and artistic integrity. Together, MIG/Indigo have developed a reputation among collectors and connoisseurs as a trusted source for expertly prepared catalog and archival editions that preserve and celebrate musical heritage.
|  | | No. of tracks: |
20 |
 | | Manufacturer No.: |
05121942 |
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Responsible Person for the EU:
Made_in_Germany-Music GmbH Hildesheimer Str. 83, 30169 Hannover, DE www.mig-music.de |  |
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