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| Details / Tracklist: |
01. "Be Patient"
02. "Empty Skies"
03. "So Many Things (To Feel Guilty About)"
04. "Blabber"
05. "We Can Can We"
06. "Flux"
07. "Connected"
08. "Beginning"
09. "Silent"
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 | | Extra-Infos: |
.. Lost Anyway |
| | Description: | Founded in 2006 by Vincent Bertholet (Hyperculte), the
Orchestre Tout Puissant Marcel Duchamp is a large-scale
project. Designed as a real orchestra, the size of the
ensemble has varied over time. Now with 12 members, 14 in
the past or 6 at the beginning, the ensemble has scoured the
stages of Europe todemonstrate that the formula "the more
the merrier" has never been more true than on stage.
Whether in prestigious festivals (Paléo Festival de Nyon,
Fusion Festival, Incubate, Womad, Bad Bonn Kilbi, Jazz à la
Vilette) or on the four albums released since its launch, the
group shows an incredible fluidity. The Orchestre Tout
Puissant Marcel Duchamp (a mischievous title in homage to
traditional African groups -Orchestre Tout Puissant Konono
n°1, Orchestre Tout Puissant Polyrytmo etc... -and to one of
the greatest dynamizers of 20th century art) embraces the
forms of its musicians while pushing them to their limits. The
result is a powerful, experimental, unstable and terribly alive,
organic sound.
These characteristics can be found on We're OK. But We're
Lost Anyway, fifth opus of the band. Built around twelve
musicians, extirpated from their respective biotope, it
develops a repetitive musicality which, deployed in
successive waves, creates a feeling of trance. Mixing free
jazz, post punk, high life, brass band, symphonic mixtures
and kraut rock, their sound only goes beyond the limits of
genre. Transcendental, almost ritualistic, the music is
coupled with powerful lyrics, declaimed in rage against a
world that is falling apart.Adorcist, hypnotic and postsyncratic,
the Orchestre Tout Puissant Marcel Duchamp, far
from Tzara's manifesto, is somewhere between Hugo Ball's
phonetic psalms, a Sufi procession that turns into a brawl
and a voodoo ritual, but always with a precision proper to the
monomania of an asperger. - .. LOST ANYWAYFounded in 2006 by Vincent Bertholet (Hyperculte), the Orchestre Tout Puissant Marcel Duchamp is a large-scale project. Designed as a real orchestra, the size of the ensemble has varied over time. Now with 12 members, 14 in the past or 6 at the beginning, the ensemble has scoured the stages of Europe todemonstrate that the formula 'the more the merrier' has never been more true than on stage. Whether in prestigious festivals (Pale´o Festival de Nyon, Fusion Festival, Incubate, Womad, Bad Bonn Kilbi, Jazz a` la Vilette) or on the four albums released since it's launch, the group shows an incredible fluidity. The Orchestre Tout Puissant Marcel Duchamp (a mischievous title in homage to traditional African groups -Orchestre Tout Puissant Konono n°1, Orchestre Tout Puissant Polyrytmo etc... -and to one of the greatest dynamizers of 20th century art) embraces the forms of it's musicians while pushing them to their limits. The result is a powerful, experimental, unstable and terribly alive, organic sound. These characteristics can be found on We're OK. But We're Lost Anyway, fifth opus of the band. Built around twelve musicians, extirpated from their respective biotope, it develops a repetitive musicality which, deployed in successive waves, creates a feeling of trance. Mixing free jazz, post punk, high life, brass band, symphonic mixtures and kraut rock, their sound only goes beyond the limits of genre. Transcendental, almost ritualistic, the music is coupled with powerful lyrics, declaimed in rage against a world that is falling apart. Adorcist, hypnotic and post-syncratic, the Orchestre Tout Puissant Marcel Duchamp, far from Tzara's manifesto, is somewhere between Hugo Ball's phonetic psalms, a Sufi procession that turns into a brawl and a voodoo ritual, but always with a precision proper to the monomania of an asperger.Founded in 2006 by Vincent Bertholet (Hyperculte), the Orchestre Tout Puissant Marcel Duchamp is a large-scale project.
Designed as a real orchestra, the size of the ensemble has varied over time.
Now with 12 members, 14 in the past or 6 at the beginning, the ensemble has scoured the stages of Europe to demonstrate that the formula "the more the merrier" has never been more true than on stage.
Whether in prestigious festivals (Paléo Festival de Nyon, Fusion Festival, Incubate, Womad, Bad Bonn Kilbi, Jazz à la Villette)
or on the four albums released since its launch, Orchestre Tout Puissant Marcel Duchamp a mischievous title in homage to traditional African groups - Orchestre Tout Puissant Konono n°1, Orchestre Tout Puissant Polyrytmo etc... - and to one of the greatest dynamizers of 20th century art) shows an incredible fluidity. The band embraces the forms of its musicians while pushing them to their limits.
The result is a powerful, experimental, unstable and terribly alive, organic sound.
These characteristics can be found on We're OK. But We're Lost Anyway, fifth opus of the band.
Built around twelve musicians, extirpated from their respective biotope, it develops a repetitive musicality which,
deployed in successive waves, creates a feeling of trance.
Mixing free jazz, post punk, high life, brass band, symphonic mixtures and kraut rock, their sound only goes beyond the limits of genre. Transcendental, almost ritualistic, the music is coupled with powerful lyrics, declaimed in rage against a world that is falling apart.
Adorcist, hypnotic and post-syncratic, the Orchestre Tout Puissant Marcel Duchamp, far from Tzara's manifesto, is somewhere between Hugo Ball's phonetic psalms, a Sufi procession that turns into a brawl and a voodoo ritual, but always with a precision proper to the monomania of an asperger.
Released as 6-panel digipak with clear tray. | | | No. of tracks: |
9 |
| | Manufacturer No.: |
23009 |
| Product Safety
Responsible Person for the EU:
K7 Music GmbH
Gerichtstr. 35, 13347 Berlin, DE
www.k7.com | |
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