: 2025 Stereo Mix () 1-1: Bad Scene (3:31) 1-2: Two Time Mama (2:04) 1-3: Stoned Woman (3:21) 1-4: Good Morning Little Schoolgirl (7:22) 1-5: If You Should Love Me (5:25) 1-6: I Don't Know That You Don't Know My Name (2:02) 1-7: The Stomp (4:34) 1-8: I Woke Up This Morning (5:32) : Original 1969 Mix () 2-1: Bad Scene (3:30) 2-2: Two Time Mama (2:01) 2-3: Stoned Woman (3:20) 2-4: Good Morning Little Schoolgirl (7:10) 2-5: If You Should Love Me (5:23) 2-6: I Don't Know That You Don't Know My Name (2:06) 2-7: The Stomp (4:31) 2-8: I Woke Up This Morning (5:30) : Live In Helsinki, 1969 () 3-1: Spoonful (7:14) 3-2: I May Be Wrong, But I Won't Be Wrong Always (9:27) 3-3: The Hobbit (10:44) 3-4: Good Morning Little Schoolgirl (7:24) 3-5: No Title (10:43) 3-6: I Can't Keep From Crying Sometimes (18:39)
Description:
"SSSSH" on CD captures Ten Years After at a pivotal creative peak, blending blistering blues-rock, psychedelia and raw live energy into a studio setting. Centered around Alvin Lee's virtuosic guitar work and the tight interplay of the rhythm section, the album delivers extended jams, dynamic tempo changes and expressive solos that made the band a cornerstone of late-60s and early-70s rock. The sound ranges from earthy, riff-driven blues to more expansive, exploratory tracks, always anchored by a gritty groove and soulful vocals. This CD edition offers a focused, powerful listening experience for fans of classic rock and electric blues who appreciate musicianship, improvisation and an authentic, analog-era atmosphere. Chrysalis, the label behind this release, is known for its strong catalog of rock and pop artists and for supporting acts that combined musical skill with a distinctive identity. Over the years, the company has built a reputation for quality productions and for nurturing bands that left a lasting mark on rock history. Ten Years After are a British blues-rock band that rose to international prominence in the late 1960s, particularly through their explosive live performances. They became widely known after their high-octane appearance at the Woodstock Festival, where Alvin Lee's lightning-fast solos turned "I'm Going Home" into a career-defining moment. With a series of successful albums and a reputation as one of the most exciting live acts of their era, Ten Years After helped define the sound of heavy, improvisation-driven blues-rock and secured a loyal following across generations of rock listeners.