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Montezuma (Oper in 3 Akten) (Auszug) 01. "Non cha calma le mie pene"
La Clemenza di Tito KV 621 (Titus, Oper in 2 Akten) (Auszug) 02. "O zittre nicht"
Norma (Oper in 2 Akten) (Auszug) 03. "Mira, o Norma, a'tuoi ginocchi questi cari tuoi pargoletti..." 04. "Si, fino all'ore estreme compagna tua m'avrai"
La Sonnambula (Die Nachtwandlerin, Oper in 2 Akten) (Auszug) 05. "Ah! Non giunge"
Attila (Oper in 1 Prolog und 3 Akten) (Auszug) 06. "Santo di patria... allor che i forti corrono"
Esclarmonde (Oper) (Auszug) 07. "Esprits de l'air...Roland! Roland! Roland!"
L'oracolo (Oper) (Auszug) 08. "Ferito... L'hanno ferito"
Le c ur et la main (Oper) (Auszug) 09. "Bolero: Un soir Perez le capitaine"
Robinson Cruso? (Oper) (Auszug) 10. "Conduisez-moi vers celui que j'adore" 11. "Il bacio" 12. "Si mes vers avaient des ailes"
Konzert f?r Koloratursopran und Orchester op. 82 (Auszug) 13. "1. Andante" 14. "Repentir (O divine Redeemer)"
Operette (Auszug) 15. "Countess Mitzi"
Sissy (The King steps out) (Filmmusik) (Auszug) 16. "Stars in my eyes" 17. "The gypsy and the bird"
The maid of the mountains (Filmmusik) (Auszug) 18. "Love will find a way"
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 | | Descripción: | Dame Joan Sutherland's personal selection of her favorite recordings, with her own liner notes. Tributes from Moffatt Oxenbould and Fiona Janes, previously unpublished photographs, a series of costume designs for her key operatic roles, and illustrations of all the original jackets from which the selection was made. Plus her recipe for Christmas Pudding, all issued to commemorate the tenth anniversary of her passing. With barely a shadow of permissible exaggeration, 'The Voice of the Century' was Decca's title for a 1977 compilation of arias from the defining roles sung by Dame Joan Sutherland. On her death in 2010, Opera magazine acclaimed her still as 'one of the voices of the century' who almost single-handedly - with the support of her husband and mentor, Richard Bonynge - restored the bel canto repertoire to the opera house. Now, a decade on, Eloquence releases Sutherland's personal selection of her own favorite recordings, from a Decca catalogue studded with award-winning albums. What makes this particular collection unique, and an essential acquisition for all who treasure their memories of the supreme successor to Melba, is Dame Joan's introductions to each item. Choosing them, she could look back over a career spanning more than 40 years, from her career-launching competition win in Sydney in 1949 singing 'Ritorna vincitor' to her first Alcina in 1957 - at St. Pancras Town Hall, of all places, and her famous Royal Opera Lucia in 1959 that floored the critics. However, Dame Joan's selection does not include such vocal blockbusters - though with the Queen of Night's 'O zittre nicht' there is a nod to her unheralded Royal Opera debut in 1952 as the First Lady in Die Zauberflöte. Rather than her fearless negotiation of their Mad Scenes, she chose passages of moving recovery from Norma and La sonnambula, and in doing so generously acknowledges her partnership of warm mutual understanding with Marilyn Horne. Nevertheless, there is plenty of her pinpoint coloratura to be enjoyed, from Massenet's Esclarmonde - along with Norma, her favourite opera - to Graun's Montezuma and Glière's Concerto: 'such a relief not to have to remember the words'. Sutherland took particular pride in her revival of rarities such as Leoni's L'Oracolo, but her choice of favorites concludes in lighter vein with songs by Arditi, Hahn and Kreisler which beguiled as well as dazzled her recital audiences: 'Trifles, perhaps, but I enjoyed singing them'. She recalls living next to and working with Noël Coward - 'I think he was quite pleased with me!' - and finally pays tribute to her musical education in Sydney with 'Love will find a way' from The Maid of the Mountains. All in all, it's a unique journey through Dame Joan's life and career, enhanced by several tributes from her colleagues, previously unpublished photographs and rarely seen costume designs for 'La Stupenda' in many of her signature roles., Runningtime: 00:00:00, Art Direction: Raymond Bannerman, Booklet Editor: Bruce Raggatt, Engineer: Arthur Bannister, Engineer: Arthur Lilley, Engineer: Gordon Parry, Engineer: James Lock (2), Engineer: Kenneth Wilkinson, Engineer: Michael Mailes, Engineer: Peter Van Biene, Engineer: Philip Wade, Engineer: Roy Wallace, Engineer: Simon Eadon, Producer: Christopher Raeburn, Producer: Cyrus Meher-Homji, Producer: David Harvey, Producer: Erik Smith, Producer: James Mallinson, Producer: John Culshaw, Producer: John Mordler, Producer: Michael Bremner, Producer: Ray Minshull, Remastered By: Chris Bernauer, Composed By: Carl Heinrich Graun, Conductor: Richard Bonynge, Orchestra: London Philharmonic Orchestra, Soprano Vocals: Joan Sutherland, Composed By: Wolfgang Amadeus Mozart, Conductor: Richard Bonynge, Orchestra: The New Symphony Orchestra Of London, Soprano Vocals: Joan Sutherland, Composed By: Vincenzo Bellini, Conductor: Richard Bonynge, Mezzo-soprano Vocals: Marilyn Horne, Orchestra: London Symphony Orchestra, Soprano Vocals: Joan Sutherland, Composed By: Vincenzo Bellini, Conductor: Richard Bonynge, Mezzo-soprano Vocals: Marilyn Horne, Orchestra: London Symphony Orchestra, Soprano Vocals: Joan Sutherland, Chorus: Coro Del Maggio Musicale Fiorentino, Composed By: Vincenzo Bellini, Conductor: Richard Bonynge, Orchestra: Orchestra Del Maggio Musicale Fiorentino, Soprano Vocals: Joan Sutherland, Chorus: London Symphony Chorus, Composed By: Giuseppe Verdi, Conductor: Richard Bonynge, Orchestra: London Symphony Orchestra, Soprano Vocals: Joan Sutherland, Chorus: John Alldis Choir, Composed By: Jules Massenet, Conductor: Richard Bonynge, Mezzo-soprano Vocals: Huguette Tourangeau, Orchestra: National Philharmonic Orchestra, Soprano Vocals: Joan Sutherland, Bass Vocals: Clifford Grant, Chorus: John Alldis Choir, Composed By: Franco Leoni, Conductor: Richard Bonynge, Orchestra: National Philharmonic Orchestra, Soprano Vocals: Joan Sutherland, Composed By: Charles Lecocq, Conductor: Richard Bonynge, Orchestra: L'Orchestre De La Suisse Romande, Soprano Vocals: Joan Sutherland, Composed By: Jacques Offenbach, Conductor: Richard Bonynge, Orchestra: L'Orchestre De La Suisse Romande, Soprano Vocals: Joan Sutherland, Composed By: Luigi Arditi, Conductor: Richard Bonynge, Orchestra: London Symphony Orchestra, Soprano Vocals: Joan Sutherland, Composed By: Reynaldo Hahn, Conductor: Richard Bonynge, Orchestra: New Philharmonia Orchestra, Soprano Vocals: Joan Sutherland, Composed By: Reinhold Glière, Conductor: Richard Bonynge, Orchestra: London Symphony Orchestra, Soprano Vocals: Joan Sutherland, Composed By: Charles Gounod, Conductor: Richard Bonynge, Orchestra: New Philharmonia Orchestra, Soprano Vocals: Joan Sutherland, Composed By: Noël Coward, Conductor: Richard Bonynge, Soprano Vocals: Joan Sutherland, Chorus: The Ambrosian Opera Chorus, Composed By: Fritz Kreisler, Conductor: Richard Bonynge, Orchestra: New Philharmonia Orchestra, Soprano Vocals: Joan Sutherland, Composed By: Julius Benedict, Conductor: Richard Bonynge, Flute: Alexander Murray (2), Orchestra: London Symphony Orchestra, Soprano Vocals: Joan Sutherland, Chorus: The Ambrosian Opera Chorus, Composed By: Harold Fraser-Simson, Conductor: Richard Bonynge, Orchestra: New Philharmonia Orchestra, Soprano Vocals: Joan Sutherland, Labelcode ELOA4826448.2 (4826 448), Recorded At Kingsway Hall, Recorded At Victoria Hall, Geneva, Recorded At Decca Studio No. 3, Recorded At Walthamstow Assembly Hall, Recorded At Teatro Della Pergola | | | N° de títulos: |
18 |
| | N° de fabricante: |
ELQ4826448 |
| Seguridad del producto
Persona responsable para la UE:
Klassik Center
Dr. Rainer Kahleyss
Gl?cknerpfad 47, 34134 Kassel, DE
info@klassikcenter-kassel.de | |
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Retrato de un canta.
288
- Alto 4- Bajo 4- Barítono 17- Contratenor 22- Mezzo-soprano 20- Singer retrato(otro) 49- Soprano 98- Tenor 74
